Sleep. Sometimes we do it because we're tired. Most of the time it happens because we're drunk.
Alas, the sleep of the inebriated is often so deep that it's possible for those around you - many of whom have had their inhibitions stripped away through the demon alcohol - to take advantage.
Here we present 21 examples of what happens when booze causes you to lower your guard. Captions are courtesy of the Instant Art Critique Generator at Pixmaven.
Alas, the sleep of the inebriated is often so deep that it's possible for those around you - many of whom have had their inhibitions stripped away through the demon alcohol - to take advantage.
Here we present 21 examples of what happens when booze causes you to lower your guard. Captions are courtesy of the Instant Art Critique Generator at Pixmaven.
21. "I'm troubled by how the disjunctive perturbation of the biomorphic forms contextualize the accessibility of the work."
20. "It's difficult to enter into this work because of how the sublime beauty of the figurative-narrative line-space matrix seems very disturbing in light of the substructure of critical thinking."
19. "With regard to the issue of content, the metaphorical resonance of the sexual signifier threatens to penetrate a participation in the critical dialogue of the 90s."
18. "Although I am not a painter, I think that the reductive quality of the negative space spatially undermines the exploration of montage elements."
17. "Umm... the reductive quality of the purity of line makes resonant the substructure of critical thinking."
16. "It's difficult to enter into this work because of how the optical suggestions of the sexy fish endangers the devious simplicity of the substructure of critical thinking."
15. "With regard to the issue of content, the internal dynamic of the gesture endangers the devious simplicity of the substructure of critical thinking."
14. "With regard to the issue of content, the internal dynamic of the sexy fish endangers the devious simplicity of the eloquence of these pieces."
13. "I'm troubled by how the internal dynamic of the biomorphic forms verges on codifying the accessibility of the work."
12. "I find this work menacing/playful because of the way the iconicity of the purity of line notates the exploration of montage elements."
11. "Although I am not a painter, I think that the subaqueous qualities of the Egyptian motifs endangers the devious simplicity of the distinctive formal juxtapositions."
10. "I agree/disagree with some of the things that have just been said, but the reductive quality of the facture brings within the realm of discourse the inherent over specificity."
9. "It should be added that the optical suggestions of the spatial relationships endangers the devious simplicity of the eloquence of these pieces."
8. "I find this work menacing/playful because of the way the sublime beauty of the negative space endangers the devious simplicity of the accessibility of the work."
7. "The iconicity of the purity of line brings within the realm of discourse the remarkable handling of light."
6. "As an advocate of the Big Mac Aesthetic, I feel that the internal dynamic of the gesture notates the essentially transitional quality."
5. "I'm surprised that no one's mentioned yet that the iconicity of the purity of line brings within the realm of discourse a participation in the critical dialogue of the 90s."
4. "With regard to the issue of content, the sublime beauty of the figurative-narrative line-space matrix spatially undermines the substructure of critical thinking."
3. "I'm troubled by how the aura of the Egyptian motifs makes resonant the distinctive formal juxtapositions."
2. "With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse the larger carcass."
1. "It's difficult to enter into this work because of how the iconicity of the spatial relationships notates a participation in the critical dialogue of the 90s."
RSS Feed
