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IMMERSIVE THEATRE: IT'S REALLY FOR GAMERS by Mr Biffo

16/4/2015

13 Comments

 
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Years ago, in London's Trocadero Centre, there was a thing called Alien War. Officially licensed from the movies, it took visitors on a tour of a space station infested by the iconic Aliens, a pulse rifle-wielding Colonial Marine as your guide. 

As we explored the maze of dark corners, accompanied by the constant throb of a motion tracker,  it was as close as I've ever come to genuine terror; there was a moment in a lift, when an Alien stuck its head through a hatch, that I remain embarrassed by.

Sadly, the place closed down following a burst pipe or something, and has never really re-emerged, despite a couple of abortive attempts. Yet - beyond the virtual worlds of video games - it was my first experience of being transported to another time and place outside of what usually happens in everyday life. 

And now, immersive theatre has returned in a big way.

Since Alien War, companies like Punchdrunk and You Me Bum Bum Train (how can you not love something called You Me Bum Bum Train?) have popularised the whole immersive theatre thing. For a long time, it remained the domain of the middle classes, the hipster, arty elite - and something I would never have been seen dead at - but suddenly the genre is opening up to everyone.

And if you like your video games, they're doing it for you.

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ALSO: ZOMBIES
In recent times, zombie experiences have taken the best of what Alien War did all those years ago, and mixed it with the adrenal rush of paintball - putting the audience in the middle of a zombie movie. A while back, Punchdrunk ran a show themed around Doctor Who, and last year Secret Cinema finally went all-out to appeal to the masses, putting on an epic screening of Back to the Future. 

Admittedly, this seemed to please nobody but those who attended: some sniffed at it as an overpriced hipster indulgence, dripping with irony, while many among Secret Cinema's hardcore fanbase complained that it was evidence of the company selling out. Having attended the event, I can confirm that it was neither. 

If you're a fan of Back to the Future, it was a unique opportunity to become part of the movie: a full-scale recreation of the film's Hill Valley in the 1950s (with a hidden doorway to a 1980s dive bar), from The Enchantment Under The Sea dance, to Lone Pine Ranch, to Doc Brown's house. When the film began - projected onto the famous clock tower - the movie played out for real around the audience. Everything from Marty McFly hanging off the back of a truck, to the time travelling DeLorean racing around the town square as Doc Brown ziplined over our heads.


There was nothing ironic about it any more than there is about Disney World or Universal Studios or Legoland - just a sincere attempt to entertain, brilliantly realised and utterly immersive (we had a burger in the town diner, as the future Mayor Goldie Wilson swept the floor, stopping occasionally to chat about his aspirations).

There was even a man going around selling gin and tonic-flavour fruit pastilles. What's not to love?

AND NOW: STAR WARS
This year, Secret Cinema is staging its most ambitious event yet - The Empire Strikes Back. Those who've bought tickets (not remotely cheap at £70, admittedly) are already being drawn into the Star Wars Universe, teased with cryptic emails and links, and hints of a special event on May 4th. If you ever played with Star Wars action figures as a kid, this is that fantasy writ large. If anything about it other than the price irritates you, then you're an idiot. No... you grow up.

The two most recent full-scale Punchdrunk shows - The Drowned Man (no longer running), and Sleep No More (at a more or less permanent installation in New York) - were, by turns, utterly pretentious, and completely enthralling.

Surreal, hallucinatory, and bewildering in their scope and depth - and something that I can't imagine any games fan not enjoying. Across the two shows, the audience explored trailer parks, psychiatric hospitals, and deserts, witnessing stabbings, black magic orgies, and bizarre mental breakdowns. Best of all,the sheer scale of the shows - both took over multiple floors of huge buildings - mean that no two people had the same experience. They were real-life sandbox video games, and, if you go to a Punchdrunk with a group of friends, half the joy of the evening is comparing experiences afterwards.

"Did you find that secret passage behind the cinema screen...?"

"I got taken into a room, and this woman made me drink some stuff..."

"This bloke took his pants off and rolled around on the floor and I saw everything."

A DASH OF BIOSHOCK
With Sleep No More in particular, there was a faded, 1930s glamour to the production design - it was impossible not to think "Bioshock"; the evening began in a smokey bar as a swing band played, and we sipped absinthe cocktails. Later, I got thrown out of a lift into a misty graveyard, and got to watch a man having a bath.

And for me, that's the joy of immersive theatre - it's everything I always loved most about video games: being transported to another place, an environment I would otherwise never get to visit... and just being allowed to explore, drifting through the world like spirits. Or, at least, while drunk on spirits. Isn't that part of the joy of, say, the Grand Theft Auto games; just getting to delve into in a brilliantly realised world?

There's also something about it that appeals to the voyeur in me: in Punchdrunk you can't interact with the performers (unless you're one of the few who gets dragged into the show), but nothing else is off-limits. The detail extends to diaries, and the contents of suitcases and desk drawers. You can choose to follow a single performer through their thread of a story, or - as most seem to do - just go wherever your will takes you, and explore the world. It could feel aimless, yet - somehow - in each of the Punchdrunk shows I've been to, everyone seems to end up in the same place for the climax.

Not every immersive theatre show works: last year I went to a thing near London's O2 Arena called The Boy Who Climbed Out of His Face, that seemed to tip into a level of pointless, arty pretentiousness that would grate on anybody. Performers wearing Bo Selecta masks led the audience through nightclubs and jungles... concluding with a nude man (yes, another one) playing an endless guitar solo atop a sunken shipping container, surrounded by floating dolls.

But if you're a games fan, I implore you to get over whatever prejudice you have against theatre and the arts, and try one of these shows. If the thought of a reworking of MacBeth doesn't sound like your cup of tea, then try one of the zombie experiences first - something like The Generation of Z, which is putting on a London version of its well-received run at last year's Edinburgh Festival.

You probably won't regret it... but you definitely won't forget it.

FROM THE ARCHIVE:
  • ZOMBIE EXPERIENCE DAYS REVIEWED
  • SIRO-A REVIEWED


13 Comments
Simon
16/4/2015 05:54:03 am

"it remained the domain of the middle classes, the hipster, arty elite"

Isn't that what you are?

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Mr Biffo
16/4/2015 12:44:14 pm

Pffffft! Working class hipster arty elite thank you very much.

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Antony Adler
16/4/2015 05:57:09 am

lovely article ! I'm going to book the Generation of Z thing for me and the wife, something a bit different ! Always regretted never going to Alien War at the Trocadero. Damned burst pipe...

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Bear_of_Justice
16/4/2015 06:35:23 am

I also went to pretentious wank-fest The Boy Who Climbed Out of His Face. I actually enjoyed it though; it took pretentious wank-festery to such an extraordinarily high level that you couldn't do anything but marvel at how bat-shit crazy-stupid it was. It was just so insanely ridiculous and pointless that it actually became pointless to criticise it. I gave it £$"?.&^$"£ out of Wozniak!.

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Mr Biffo
17/4/2015 02:29:29 am

Well, yeah... I didn't NOT enjoy it. Though I got picked to be blindfolded in that bit where the room was supposedly on fire, and people kept poking me in the face, and touching my hands.

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Rivhard Hugues
16/4/2015 07:42:40 am

Thanks for the heads up on punchdrunk, will now be subbing to their mailing list.

I have 'fond' memories of attending alien war in my mid teens. Never before or since have i been so ready and willing to shove other innocent bystanders into harms way for self-preservation.
I can see why it didnt last as a permanent attraction though. There didnt seem to be much incentive to visit again.

I also got dragged along to the BttF secret cinema last year, didnt expect to enjoy it at all but had a blast (i think all the cocktails probably helped somewhat).
The immersion and attention to detail surprised me. Seeing George get picked on by Biff on the way in, the dance, the peculiar 'relationships & sex ed' lesson by the toilets that got interrupted by strickland. And thats all before the film even started.

Was proper stoked when they announced empire strikes back. Then saw the price.
Nah.

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Mr Biffo
16/4/2015 12:45:42 pm

See... I missed all that. That's why I love these immersive things: it's different for everyone. I did see one of the cast accidentally throw a glass of water over someone in a wheelchair, though.

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Rivhard Hugues
17/4/2015 01:20:01 am

Shame it wasnt a can of TAB :(

kelvingreen link
16/4/2015 10:24:03 am

I went to a Ghostbusters one last year. They set up something like the GB HQ and you could wander around chatting to the team, including a spot-on Janine, and take part in paranormal experiments with Doctors Spengler, Stantz, and Venkman.

Then you went to sit down at some tables to watch the film on a big screen, with the occasional interactive bit from the "cast"; they acted out the whole fight with Gozer at the end in front of the screen, which was a bit weird because you were seeing it twice, but it was well done.

Then there was some dancing but I didn't much enjoy that because I'm old and shy and have no rhythm.

Anyway, while ti was strange at times, it was never pretentious. I liked it.

WOZNIAK!

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Mr Biffo
16/4/2015 12:47:55 pm

"Strange" is a good a review as any.

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Caroline Kevins
16/4/2015 06:24:02 pm

If there was a interactive theatre piece, where I (the viewer) got to watch Mr T have a 4 hour long meltdown, about who spray painted "I always preferred Street Hawk" on his garage door- while watching from inside one of his wheelie bins, I'd pay to see that. Even if it was in South London

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Imp Ressed
21/12/2016 02:54:05 pm

That's a dream.

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Steve Johnson
17/4/2015 07:13:22 am

>> If anything about it other than the price irritates you, then you're an idiot.

How about Secret Cinema using masses of unpaid volunteers - "Hey, it'll look great on your CV and be good experience."
How about the complete screw-up that was the failure to launch of the BttF event where said unpaid volunteers were having to tell people at the gate that it was all cancelled?

Reply



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